
Matei, a young shepherd boy living in the outskirts of Romania, finds more comfort among his sheep than with his abusive, alcoholic dad. But now Matei is starting to mimic his father’s violence, he’s faced with a question: ‘Who am I?’

Trailer
Still images





Research
Researching Dance of the Spirits became a journey in itself. I set out to capture the spirit of Maramures with unwavering authenticity, even though the village in the film is imagined.
Every detail, from costumes and traditions to architecture and daily rituals, had to ring true to create a believable world.
Master Vasile Susaca welcomed us into his studio, generously sharing his wisdom about masks and the dance, which shaped our designs with greater accuracy.
We wove these discoveries into the film’s emotional heart, infusing it with symbolism and meaning.








3D World building
Based on the research material we got from our trip to Romania, we. set to create a 3D environment.
Kezia constructed a full sized mountain village with an incline and forest.
Each building was carefully placed to empathise our protagonist emotional journey. Such as: lesser houses- the feeling of loneliness, crowded overlapping houses- anxiety, high incline- fear; asymmetrical positioning- confusion.
Early tests
In the early stages, I experimented with blending various traditional mediums, curious to discover how each would resonate with the viewer.
Every technique became a window into the protagonist’s shifting mindset, and ensuring each transition felt seamless was essential.




Production
The production of Dance of the Spirits employed various workflows depending on the context.
on the medium used.
For the direct shots, they usually required a 3D model reference that was rendered digitally and then painted on with pastel using soft pastels.
Shots that include the shadow of the dad are done on multiplane sheets with gouache on cel sheets over a soft pastel drawing or charcoal.
Frame-by-frame shots required redrawing the background each time to give the unsettling feeling of the world collapsing.
Transitional shots between mediumed required mixing the mediums on paper gradually.
The production period lasted for 7 months.

Voice Recording




Romulus Hotea voiced the DAD, delivering an exquisite performance that made the emotional anchor of the drunken, abusive father clear. His acting skillfully blends pride, embarrassment, anger, and absurdity. Even without subtitles, the tone and emotion are easy to grasp.
Matei was voiced by our very own sound designer, Jacob Stone, who did such a beautiful job at creating the soundscape of Matei’s emotional journey while also immersing us in the world around him.
The dancers and the crowd are voiced by my friends and family, who so kindly agreed to lend me their voices in order to fill the space with authentic Romanian people, people who live their lives day to day with the same principles and beliefs as the people living in the film.
Post-Production
Post-production was an intense yet wonderful process as I was still animating until the very last day.
Karin, our editor, made sure that everything is in place both visually and aurally. Her presence is in the very essence of the film.
Jacob and Katrina worked closely together to construct the sound and music, as many motifs were intertwined. Their harmonious workflow allowed Dance for the Spirits to breathe and take heart.
Nidhni worked closely with Catharina to ensure that the colour of the world represents our protagonist’s journey.
Truly, the entire process was not separte sections but one cohesive poem.




Director Statement
Dance of Spirits is a deeply personal project, born from the emotions surrounding my relationship with my father. Through this film, I sought to reinterpret those experiences and transform them into something meaningful and compassionate.
The purpose of creating this film was to extend a gentle, reassuring hand to those who have faced abusive relationships—particularly during childhood, when understanding such experiences is nearly impossible. At that age, children often internalise what they endure, believing that they are somehow responsible for the pain inflicted upon them.
But a child is never responsible for a parent’s violence. No child should have to endure abuse or trauma, yet countless children grow up navigating these realities in silence. Many absorb and carry the weight of their guardian’s behaviour without even realising it, shaping how they see themselves and the world around them.
Through Dance of Spirits, I wanted to explore the idea that while we cannot control the actions of others, we do have the power to shape our own responses. We hold the ability to break generational cycles of violence and pain by choosing kindness, empathy, and forgiveness. That kindness should extend outward—to others, symbolised by the lamb—but it must also be directed inward, toward ourselves.
Ultimately, Dance of Spirits is a letter to those who have faced hardship. It is a reminder to protect your heart, to resist the weight of inherited pain, and to treat yourself with the same compassion you offer to the world around you.
Festivals and awards
Dance of the Spirits just started its festival run.
Current achievements includes : Special Award from Eastern Europe Film Festival,Official Selection for Imaginara Festival and Queen's Student Film Festival
Meet The Team
Director and Animator: Andreea-Lorena Florea
Producer: Claud Cunningham
Writer: Alflie Kelly
Cinematographer: Catharina Scarpellini
Production Designer: Kezia Hessam
Editor: Karin Raksanugraha
Composer: Katrina Rose
Sound Designer & Re-Recording Mixer: Jacob Stone
Colourist: Nidhi Kullu
Production Managers: Chrystal Holder and Jeanet Froidurot
Cast
Romulus Hotea: Dad
Jacob Stone: Matei
Alin Andrei Todica: Dancer 1
Cosmin Todica: Dancer 2
Art Assistants
Character Design Assistant: Hatice Sena Balkan
Background Assistant: Ligia-Petra Prejbeanu
Animation Assistant: Dhanajay Barangule
Colouring Assistant: Georgina Carpenter, Ainara Giraldo Garcia, Livvy Seabrook - Wilkins, Anna-Maria Leventi, Ligia-Petra Prejbeanu, Elizabeth Fraser
Compositing Assistant: Andrei-Leonard Florea
Production Assistants: Anjana Jogy Antony, and Humphrey Woollard
Musicians and Voices:
Violin: John Young
Cello: Katie Ellwood
Flutes: Darren Sng
Percussion: Harpal Mudhar
Ethnomusicologist: Shaun Williams
Voices
Agim Murati, Alin Andrei Todica, Alina-Somna Spatariu, Andreea Duta-Spatariu, Andrei-Leonard Florea, Bobi Eugen Spatariu, Cosmin Todica, Sophie Stephanie Spatariu



















